When people talk about The Breakfast Club they remember the library, the dancing (shout-out to legendary editor Dede Allen, who brilliantly cut this picture), the pot-smoking confessional sequence (more on this), and Vernon. And as bad as life at home might be for Brian, it’s nothing compared to Bender’s home life. We see the pain on Brian’s face as he struggles with the decision to correct Bender, but Bender wouldn’t believe it anyway. As we saw when Brian was being dropped off at school, his life isn’t as rosy as Bender imagines. The threat is made clear, and Bender then imitates what he believes life is like at Brian’s house. Bender’s goal is to disrupt everything he can, which explains the reason he’s in there: for pulling the school fire alarm the previous day.īender pushes things too far, and Andrew threatens to throw down with him, at which point Bender producers a pocketknife. The increasing verbal scorn he directs at her angers Andrew as the morning progresses. Early on, he tells Claire that she couldn’t ignore him if she tried, then proves it. We learn their names right away: Andrew “The Jock” Clark (Emilio Estevez), Claire “The Princess” Standish (Molly Ringwald), John “The Criminal” Bender (Judd Nelson), Brian “The Brain” Johnson (Anthony Michael Hall) and Allison “The Basket-case” Reynolds (Ally Sheedy) who principal Richard “Dick” Vernon (Paul Gleeson) simply refers to as “Missy.” They do not get along, and the tension grows the more Bender dominates all discussion. But here they are-five strangers stuck in a school library with a strict principal to watch over them. They are there for different reasons: one went shopping during class time, one held someone else down in a locker room, one was found with a gun in their locker, and two are there for unexplained reasons. The Breakfast Club has a simple story: Five high school students are forced to spend their Saturday in an all-day detention session in the school library of Shermer High School in Chicago. Hughes understood not just how sensitive teenagers were, but how wise they were, as well. Keaton was charming millions of viewers weekly.
They were faring better on TV, as Family Ties‘ Alex P.
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Outside of Fast Times at Ridgemont High and Porky’s (a movie I haven’t seen to this day, and I’m good with that), teens were underutilized on film. Hughes felt teenagers were not depicted as true-to-life in movies during this period. John Hughes wrote The Breakfast Club before he wrote Sixteen Candles and after scoring hits with National Lampoon’s Vacation and Mr. Especially when you’re a teenager and figuring out who you are. However, John Hughes understood that even that was not the easiest thing to do. There was nothing to do but talk to each other. There were no TV/VCR combos, computers were pretty much expensive tools for NASA analysts only, and you had to be rich to own a Sony Walkman. Ten years earlier, it was much different. If we were in a room with a TV/VCR combo or a computer with AOL dial-up internet, there would be little conversation going on. OK, I never had a smartphone at my disposal, and there was no such thing as Facebook, Twitter or Snapchat, but we still had MTV and Sony Discmans, and internet chat rooms were just beginning to take shape. Their days would be spent checking their Facebook updates and posting to their Instagram feeds before logging into Spotify, earbuds dug firmly into ear-holes, whiling the time away listening to Ariana Grande rather than what the other four teens in the room might have to say. If you were to put five teenagers together in a room today, in January 2020, chances are you wouldn’t hear too much conversation.
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